History of the museum
In October 1904 the ‘Vereeniging Het museum ten bate van het Onderwijs’ (Association for the Museum for the benefit of education) was founded by a group of educational reformers who were advocates of so-called ‘visual education’ – education supported by the showing of objects, photographs or films. The Museum ten bate van het Onderwijs (Museum for the benefit of education) itself was established a few years later, in 1909. The ‘Schoolmuseum’ (School Museum), as it became known in general parlance, was located on the Nieuwmarkt in The Hague and covered the fields of geology, ethnology, biology and industry. The collection of the museum's first director, geologist Herman van Cappelle, formed the foundation of the museum. Van Cappelle is best known for his research expeditions in Suriname. As a result of various other donations, including by Queen Juliana, the Museon's collection of objects from Suriname is one of the largest in the Netherlands.
The Museon's collection of objects is divided into three subcollections: nature, culture and technology. Both the natural and the cultural collection contain objects that were acquired in a colonial context . Although the Museon's collection plan for 2024-2028 includes a list of objects originating from a (former) colonial context the natural history collection has not been included in this inventory, even though it also contains objects collected, for example, in the former Dutch East Indies or Suriname. Important colonial collections include the aforementioned collection from Suriname, mainly assembled by the museum’s first director, Herman van Cappelle; the collection of Congolese objects, which was largely compiled in 1935 from purchases and donations from the collections of the Rotterdam Zoo and the Colonial Museum in Antwerp. The objects date mainly from the late nineteenth century and originate primarily from the Vili, Cabinda, Congo, Yombe and Woyo ethnic groups; the Inuit collection compiled by Niko Timbergen and later expanded with objects donated by a fellow expedition member. In addition, several North American objects from the former Tropenmuseum (now the Wereldmuseum Amsterdam) were transferred to the Museon, including objects from the Artis. It is also important to note that large parts of the Museon's cultural collection were acquired in the 1970s and 1980s and therefore do not fall into the category of objects originating from a colonial context.
The museum has been a municipal museum since 1921, which means that the Municipality of The Hague is the owner of the collection. In 1985 the museum was renamed ‘Museon’ and in 2022 it merged with the Omniversum, a wide-screen cinema also located in The Hague. That is why the official name is now ‘Museon-Omniversum’. For several years the Museon has been researching the colonial history of its collection, which will also be made available via the Colonial Collections Datahub at a later date. The research has focused for example on examining wood specimens from the museum's natural history collection as well as a skull korwar from Papua (coll. no. 54098). The korwar incorporates human remains, as do other objects in the museum's ethnographic collection. In addition to the object collection the Museon holds a large collection of visual material, including a noteworthy collection of photographs from the ‘South Celebes expedition’ of 1905-1906.
Provenance research
The Museon collection is fully searchable via the collection website, which is structured in the same way as the Wereldmuseum collection website. As described above, the collection is divided into three themes: nature, culture and technology but there is also a large collection of visual material. If you have any questions about the collection please direct these to contact_collectie@museon-omniversum.nl.
The Museon archive is managed by the Municipal Archives of The Hague. The archive is divided into the period when the museum was independent and the period after the museum was taken over by the Municipality of The Hague. There is a separate access for the archives of the Municipal School Cinema. The Museon's Collection Plan 2024-2028 provides an overview of the collections in the museum as well as a list of what the museum describes as ‘Collections with a colonial context’ (p. 81). However, in most cases the numbers are only approximate because the origin of many objects is unknown.
Sources
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Secondary sources
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